Mapping More Than Terrain: Land, Story, and Spirit in the Geography Lab

In a recent conversation with Sasha Djakovic, Geography Lab Technician at Douglas College, I was struck by how deeply experiential and relational geography education can be—especially when it is tied to land-based knowledge and Indigenous ways of knowing.

Sasha’s work, both in the lab and on the land, bridges high-tech tools like GIS and LiDAR drones with ancient stories, place names, and protocols rooted in the Lil’wat Nation’s territory. Through the Lil’wat Archaeological Research Project, he and colleagues like Bill Angelbeck, with guidance from Indigenous leaders such as Jennifer Anaquod, have facilitated a rare kind of learning: one that pairs digital mapping with spiritual respect, physical geography with oral tradition, and student development with cultural humility.

The Geography lab’s augmented reality sandbox, for instance, helps students visualize topography and contour lines in three dimensions. But Sasha reminds us that the best geography lab is still outside. In Lil’wat territory, stories like the Copper Canoe become topographical narratives—legends validated not only by tradition but also by modern science. The land itself, with its steep terrain and active volcanoes, speaks back to these stories in powerful ways.

What stood out most in our exchange was the emotional transformation students undergo during their time on these digs. From opening ceremonies with drumming to observing protocols around sacred sites and funerals, students are asked not just to learn—but to feel, to listen, and to honour. This is not just skill-building. It’s soul-building.

At a time when generative AI is rewriting the rules of what skills we offload to machines, Sasha’s reflections remind us of what we must not offload: spiritual sensitivity, ethical responsibility, and deep relational awareness with the land and its stories. These are not just Indigenous ways of knowing—they are human ones, and they’re more vital than ever.

And…good timing! This article about the archeological work came out shortly after our recorded dialogue: Archeological dig on Lil’wat territory uncovers ancient histories and reframes research relationships

“Mindfulness in a rapidly changing technological world” – May 15, 2024, 2-4pm

There has been a noticeable increase in the use of educational technology, especially since the entire College went online in March 2020. Now, with the ubiquitous presence of Artificial Intelligence, and all the effects on education, work, and our lives, it is important to claim our humanity.    

A workshop with Mitra Manesh, senior mindfulness educator at UCLA’s Mindful Awareness Research Center, with four decades of experience helping people of all ages and many different cultures live, love, and lead more consciously. Mitra has created self-coaching and professional coaching programs, and her clients range from individuals to institutions seeking balance. Some of her prior experience in Canada includes working as a Human Right Commissioner in Ontario and serving as a CBC commentator/panelist. Visit Mitra’s website for more information on her work.

The in-person workshop will be in the Indigenous Gathering Place (S4650) on Wednesday, May 15, from 2:00 pm to 4:00 pm.  

Please register via this link (Click on May 15 and then 2:00 and enter your relevant information).

Please add what you are hoping to get from this workshop and any questions you have regarding the topic to the registration form. 

Reimagining Post-Secondary Education with Karine Hamm

Karine Hamm, Coordinator, Sports Science Diploma and I met to discuss a DESC project we are working together on involving a series of recorded interviews and dialogues with colleagues, students, and other educators that will address the topic of Reimagining Post-Secondary Education.

Here are some links to things mentioned in the recording

Our recording ending a bit abruptly and we thanked each other after stopping the recording. Watch for future installments in this series and if you would like to participate please contact Karine at duvalk@douglascollege.ca or Steven at bishops@douglascollege.ca

Click on the image above to listen to the recorded dialogue

Three things you need to know about AI “detectors”

Grey background with AI written in white in large letters in the centre of the image

Instructors may not submit student material to AI Detectors: Terms and Conditions require ownership over the intellectual property that is submitted; Students own their IP, not instructors​.

  • Douglas College – Freedom of Information & Protection of Privacy act [FIPPA]
  • Terms and Conditions from Copyleaks AI detector
    • “By accessing and/or using the site or services for any purpose whatsoever, you agree to the collection and use of any information or documents uploaded to the site or services, in addition to the collection of your personal information, all in accordance with these terms and under our privacy policy. Unless you delete any uploaded documents from Copyleaks’ servers in accordance with our privacy policy, we reserve the right to keep such uploaded documents in a data-base and use such documents for all purposes listed in our privacy policy.”

Student work may not be submitted to AI detectors without their consent: Students have the right to know if their material is being submitted to a third-party (who may profit off their IP) and the right to withhold consent (Rosenfeld v. McGill, 2004)​.

  • At Douglas College, you are required to get consent from a student before submitting their work to any third-party site that has not been properly vetted.
  • Students must be able to opt out without penalty.

“Detectors” don’t work as advertised: Open AI recently admitted this by pulling its own “detector”; Beware of the “Appeal to Statistics” Fallacy


© 2023 Janette Tilley and Nathan Hall. This document is Creative Commons licensed under CC BY-SA 4.0. This license allows reusers to distribute, remix, adapt, and build upon the material in any medium or format, so long as attribution is given to the creator. The license allows for commercial use. If you remix, adapt, or build upon the material, you must license the modified material under identical terms.